I should offer these Glaswigian Aesthetes some moving footage of Phil Factor trying to pedal into the village to do his shopping, despite a jamming Sturmey-Archer and binding brakes, a distinctively postmodernist cinematic statement that charts the ways in which the act of filmmaking allows a release from the pressures of global capitalism at the same moment as it creates a space for the articulation of a coherent subjectivity, a provocative and dazzling masterpiece. The film recreates brutal chiaroscuro of the Bike Film Genre, a stark post-modern noir artwork, capturing the essence and the aesthetic and bringing its universe and characters to a stunning three-dimensional life.
Is this part of Glasgow's bit to be the Culture Capital of Britain?